featuring Grzegorz Kowalski curated by Karol Sienkiewicz Feb 19 – Mar 29, 2025 The third presentation of Krzysztof Jung’s (1951–1998) work at the gallery focuses on his performances. From the mid-1970s, Jung carried out so-called threadings at Galeria Repassage in Warsaw, during which he wove web-like networks resembling spiderwebs. He entwined them around the naked bodies of participants, creating cocoons or traps. Most of these actions were dedicated to his friends. Jung’s performances will be presented in the form of photographic documentation preserved in the artist’s archive.

Artysta

  • Krzysztof Jung

Miejsce

19.02.2025 - 29.03.2025
Zakończone

A signi­fi­cant por­tion of the exhi­bi­ted prints was pro­du­ced for an exhi­bi­tion abo­ut Gale­ria Repas­sa­ge at Warsaw’s Zachę­ta in 1993. The pho­to­gra­phs will be com­ple­men­ted by a selec­tion of the artist’s dra­wings, pro­vi­ding addi­tio­nal con­text for his actions.

Grze­gorz Kowal­ski was usu­al­ly the pho­to­gra­pher docu­men­ting Jung’s per­for­man­ces. For the cur­rent exhi­bi­tion, he has pre­pa­red a dedi­ca­ted work titled Exca­va­tion.

Krzysz­tof Jung (1951–1998) bro­ught vita­li­ty, ero­ti­cism, and homo­ero­ti­cism to the Repas­sa­ge Gal­le­ry on Kra­kow­skie Przed­mie­ście in War­saw. The­re, after com­ple­ting his stu­dies, he deve­lo­ped his con­cept of „pla­stic the­atre”, cre­ating a series of per­for­man­ces dedi­ca­ted to his friends.

In the gal­le­ry spa­ce, Jung wove intri­ca­te webs of thre­ad resem­bling spi­der­webs. With his thre­ading, he con­nec­ted naked bodies, con­struc­ting pro­tec­ti­ve coco­ons or traps. In this sen­su­al way, he explo­red his fasci­na­tion with cor­po­re­ali­ty, inter­per­so­nal rela­tion­ships, emo­tions, feelings, and the mutu­al depen­den­cies they cre­ate. His per­for­man­ces also car­ried hid­den mes­sa­ges addres­sed to spe­ci­fic indi­vi­du­als.

In 1993, the Zachę­ta Natio­nal Gal­le­ry of Art in War­saw held an exhi­bi­tion sum­ma­ri­zing the acti­vi­ty of the Repas­sa­ge Gal­le­ry. At that time, Jung was respon­si­ble for arran­ging the room dedi­ca­ted to the period when he him­self mana­ged the gal­le­ry (Repas­sa­ge 2, 1978–1979). Within a sepa­ra­te, thre­aded spa­ce, he pla­ced pho­to­gra­phs from his own per­for­man­ces. The ori­gi­nal prints, pre­se­rved in the archi­ve, are being shown for the first time in over thir­ty years.

The docu­men­ta­tion of Jung’s per­for­man­ces, display­ed on a table in the cen­ter of the gal­le­ry, is com­ple­men­ted by a selec­tion of his dra­wings. The­se works pro­vi­de addi­tio­nal con­text for his per­for­man­ces, depic­ting people, pla­ces, and recur­ring motifs signi­fi­cant to the artist.

The pho­to­gra­phic docu­men­ta­tion of Jung’s per­for­man­ces at Repas­sa­ge Gal­le­ry was cre­ated by Grze­gorz Kowal­ski, who was clo­se­ly asso­cia­ted with the gal­le­ry. As an annex to the exhi­bi­tion, Kowal­ski has pre­pa­red a new work dedi­ca­ted to his friend, enti­tled Exca­va­tion. Its main ele­ment is a por­tra­it of Jung, welco­ming visi­tors as they enter the gal­le­ry. Kowal­ski juxta­po­ses Jung’s elec­tri­fy­ing sexu­ali­ty with a memen­to mori reflec­tion on the imper­ma­nen­ce of the human body.

źró­dło: https://gunianowikgallery.com/shows/jung-performer/